Tuesday, December 2, 2008 11:23 PM
We must copyright our batik designs
The Jakarta Post , Jakarta Thu, 11/20/2008 10:37 AM Opinion
Dewi Savitri Reni and Charles S. Knobloch, Houston, Texas
In a surprisingly short period of time, Indonesia has become one of the world's 10 largest suppliers of textiles and textile products. In a Sept. 2008 report by the Trade Ministry's director of industrial and mining product exports, textile products contributed 22 percent to Indonesia's non-oil/non-gas exports and 14 percent to its industrial exports.
This development entails a risk of imitation, as many Southeast Asian and African countries have been copying Indonesian batik pattersn.
Current computer technology and modern power-driven machines make it easier for other countries to copy batik patterns, producing high volumes of textiles. These patterns can be copied cheaply and disseminated quickly, without the barriers of time, space or national boundaries. This puts Indonesian batik producers at risk since competition with infringers from other countries are difficult to handle given the cheap price of labor and the use of up-to-date technology.Copyright laws can help Indonesian batik textile producers stop this possible infringement. In order to qualify for registration, these laws generally require that a textile pattern be original. By registering a copyright of batik patterns, Indonesian batik designers can punish the violator who copies or produces the copyrighted material.
It is possible to register the textile copyrights in the country where the violation may occur. Copyright law is territorial in nature and is considered effective within the borders of an individual country. However, international treaties and conventions can extend the protection to other countries under certain conditions.
Once a textile producer registers the copyright of its pattern in a country, typically that person has the exclusive right to reproduce that textile pattern, to make derivative products from that pattern, and to distribute copies of any products using that pattern in that particular country. Thus, other persons or entities in that country cannot produce articles that embody that copyrighted pattern without licensing it with the copyright owner.
An Indonesian batik producer that has not registered a copyright of its textile pattern will be much more limited in his/her options to stop an infringement. However, if it has been registered, the textile producer would have a legal basis to stop any copyright infringements.
The copyright certificate, a copyright ownership acknowledgment given by the copyright office from the respective country, will allow a person to enforce its copyright and bring a lawsuit in that particular country.
In many countries, a copyright owner who has registered its copyright will have the right to send a cease and desist letter to the alleged infringing party or request the court where the infringer is located to issue an order to stop the manufacture and impound the products through a preliminary injunction mechanism.
They can also obtain compensation from the violator and request the infringing products be destroyed. Some countries even allow those rightful pattern owners to seek a custom enforcement, in which the customs office will hold any pirated copies of the copyrighted patterns that have been registered in their country.
A good strategy would be to file not only in a country where the infringer would likely to be found but also to register it in a country where the wrongfully created materials would be sent. For example, an Indonesian textile producer may register a copyright of its textile patterns in the United States.
Last year the United States imported 37 percent of Indonesia's textile products. Its customs office could be requested to seize counterfeit materials coming into the country plus notify the intellectual-property owner of the seizure.
Copyright protection is fairly similar around the globe due to several international copyright treaties. For example, all countries ratifying the Berne Convention are required to offer protection that lasts for the life of the owner plus 50 years. There are 164 countries who have ratified the Berne Convention, including China and other major industrialized countries.
Indonesian textile producers should register their textile pattern since they can protect it for a long time from being copied, stolen or subject to unauthorized use. Registering the copyright means that they prove themselves as the rightful owner of the work. In addition, copyright registration around the world is usually simple and relatively inexpensive.
The writers are Dewi Savitri Reni, a Fulbright scholar who is doing her internship at an intellectual property firm in Houston, Texas and can be reached at vitri@aklaw.com and Charles Knobloch, a U.S. intellectual property specialist who can be reached at charles@aklaw.com.